by jimmy turrell on Wednesday 24 September 2014

Heres a few illustrations I've recently completed for The Atlantic, The New Statesman and New Scientist magazines.

The first is for The Atlantic Magazine in New York. The article is basically about the dichotomy of humour and sadness in Robin Williams.

It was a strange one this - its the first commission in a while that's really effected me. Looking through old images and video of him made me realise just what an incredible talent he was and how many great movies he actually made. The article concentrates a lot on his performance in Mrs Doubtfire but for me The Fisher King and Good Will Hunting will always be his stand out performances. Such a sad loss. Click here for an amazing tribute by David Letterman.

The second is for a poem called "Poundland" by Simon Armitage. Click here to read it. The fact that these places even exist, the impending doom of loan sharking and people generally struggling to make ends meet are all points covered in the poem.  I did three sketches for this one. The first one the art director thought was a bit too poppy and colourful. He had a point I think. So I went for a more more sinister feel for the next two.  They eventually went with the red version at the bottom.

The last illustration is for a New Scientist feature about new techniques of fighting cancer. One is called called the "Tumor Trap" and basically helps the good blood cells in our cardiovascular system round up the bad cancerous cells.


by jimmy turrell on Monday 22 September 2014

Click on images to enlarge....

I was asked a few weeks ago to illustrate an article for The Guardian on Margaret Thatcher’s privatisation policies in the late 70s and 80s. As someone who’s grew up in Newcastle Upon Tyne and who’s dad worked in Swan Hunters shipyards as a teenager and then went on to become a fireman and staunch union member this particular article connected in more ways than one.

The article basically describes how Thatcher sold off public monopolies, using the proceeds to cut taxes, and then put the privatized firms on a strict profit-making basis. 

I basically wanted to portray Thatcher as the “grand auctioneer” - at her reach are the public companies (its actually quite nostalgic to see a lot of these logos now) dropped into price tags ready for the big sale.

Click here to read the article.


by jimmy turrell on Monday 8 September 2014

I've always loved Sight and Sound magazine - published by the BFI and along with Little White Lies definitely the best movie magazine out there.  Its been a pleasure to work for them illustrating the articles below.

The first one is of Polish film director Walerian Borowczyk described by film critics as a 'genius who also happened to be a pornographer'. 

Borowczyk’s films, which often look like a carefully animated paintings are invariably about sex, love and death. He was a surrealist and a provocateur and I wanted to communicate this within the illustration.

The next two are options that I did for the magazines cover of the new movie Boyhood.  Its basically a coming-of-age drama directed by Richard Linklater which incredibly was shot intermittently over an eleven-year period from May 2002 to October 2013 as the main actor, Ellar Coltrane grew from childhood to adulthood. I wanted to communicate the complexities that this journey can often lead to so kept the the tones and textures quite dark while adding playful silhouettes of childhood to add balance. I also two images of Coltrane at the beginning and end of the process. The chosen cover was the simper version at the bottom.

Click here to watch the films trailer

Big up to art director Chris Brawn for the commissions 


by jimmy turrell on Monday 1 September 2014

Heres a few illustrations I've recently worked on for the NME's Album Of The Week column. Each album is given to me to me ahead of time - this allows me to gauge the tones and textures of the music before I tackle the illustration.

I purposely try to stay away from the featured artist's existing album artwork in order to put my own stamp on each portrait. An album or song title can also help spark an idea or concept for each piece. For instance I jokily referenced one of David Ickes main conspiracy theories for the self titled album from Royal Blood - i.e. that the British Royal family are reptilian humanoids controlling humanity. Or by using the simple dove image for Morrissey's "World Peace is None Of Your Business"

Also included here are illustrations of La Roux, Metronomy, Jungle, Ratking, Merchandise, Wild Beasts and Warpaint.

Click on the images to enlarge.

To see the full list including Paul McCartney and Damon Albarn - check out my website here: