Here's an illustration I've just done for Little White Lies Magazine and Grolsch. Its of Guy Pearce in the new Australian thriller Animal Kingdom. Loving that tashe baby!
A Guardian Guide Cover I've just finished about how the internet has made music videos relevant again.
Illustration for The New Scientist about a new hearing device that helps the blind envisage imagery.
Illustration for The New Yorker on the madness of The Eurovision Song Contest. They wanted it to be "super pop" - hence the OTT colours.
Here's a couple of pieces I created for an event for Uniqlo/Amusement Magazine in Paris. The event was to celebrate the release of Metal Gear Solid: Peace Walker and I was one of five illustrators to be chosen to give my personal response to the game.
The works were presented at a press presentation with the video game producer Hideo Kojima at the Uniqlo store in Paris on June 17th. For video of the event click here.
I've loved The Ride magazine for a while now so it was an honour to be asked to contribute to their latest issue. My illustration was for a feature about about a workshop called The Bike Kitchen in San Francisco.
My second cover for The Wall Street Journal. Again to coincide with the World Cup and England's game with USA but also a larger comment on the state of the two countries so called "special relationship".
Here's a cover I did for Business Week on the rise of South Africa. It's basically to co-incide with the World Cup.
I was one of four illustrators chosen to take part in Fax Ex-Machina - a one off live art exchange (involving live drawing and fax machines) between Brazilian and UK artists taking place simultaneously in KK Outlet, London and POP Gallery Sao Paulo. The other UK artists involved were Billy Jean, Andrew Clark and Mcbess. The exhibition runs until 26th March. Heres some pics of the event.
For all the info on the exhibition - http://www.kkoutlet.com/art/2010/ex-fax-machina
Apologies about the big gap on the blog - I've been super busy.
Here's a cover and inside spread I did for The Guardian Guide on Tim Burton. I suppose this one's a lot more cartoony than work I've done in the past but the art director wanted an injection of humour and Tim's crazy hair just seemed to be the obvious hook.